- j-pop
- 63 min
- 12 tracks
- Sony Records
The discography of Japanese R&B and pop singer Ken Hirai consists of ten studio albums, two compilation albums, one remix album, three cover albums, thirteen video albums and numerous singles and promotional singles. Hirai debuted as a musician under Sony Music Records in 1995 with the single "Precious Junk", but found success five years later with the single "Lakuen" and his third album, The Changing Same.
Log it
Sign in to log this.
Character
Spare, grave, classical in form and character-led.
- sparerichly built
- gravecomic
- classical in formformally daring
- character-ledplot-driven
- intimateepic
Who loves it, who doesn't
No profiled raters yet.
Ask the title
A yes-or-no question, answered from what people wrote here, on TMDB and on Wikipedia. Never made up.
Reviews
No reviews yet.
Tracks
- 1悲しいのは君だけじゃない4:56
- 2ステージ4:42
- 3Stay With Me5:00
- 4なぜだろう5:00
- 5会いたいよ5:56
- 6君がわからない5:06
- 7くされ縁5:16
- 8横顔5:49
- 9泣いて笑って4:58
- 10ドシャブリ5:20
- 11ゆびきり7:36
- 12キャッチボール3:14
12 tracks, 63 minutes.
About the album
- Artist
- 平井堅
- Label
- Sony Records
- Released
- December 1, 1996
- Type
- Album
- Format
- CD
- Country
- JP
From MusicBrainz, the earliest official release of this album.
Where to listen
Each opens a search for this album on that service.
Similar in taste
Closest on the same fourteen dimensions, from everything scored on Tastebuds Other media included when they land close.
- 月影 200596% alikeBoth spare, grave, classical in form.
- Blue Jam 199596% alikeBoth spare, grave, classical in form.
- Sereno 200196% alikeBoth spare, grave, classical in form.
- Lovebeat 200196% alikeBoth spare, grave, classical in form.
- 水たまりに映るセカイ 200096% alikeBoth grave, spare, classical in form.
- Mes couleurs 200496% alikeBoth spare, grave, classical in form.
- Zella Day 201496% alikeBoth spare, grave, classical in form.
- 聽聞 199996% alikeBoth spare, grave, classical in form.
Are You Mad at Me? 202584% alikeBook · Both spare, classical in form, grave.
Book · Both spare, grave, classical in form.