

- Social aspects, Social aspects of Technology, Technology, Informatique
With characteristic wit and candor, Neil Postman, our most astute and engaging cultural critic, launches a trenchant--and harrowing--warning against the tyranny of machines over man in the late twentieth century.
Log it
Sign in to log this.
Character
Contemporary, classical in form, spare and character-led.
- contemporarynostalgic
- classical in formformally daring
- sparerichly built
- character-ledplot-driven
- intimateepic
Who loves it, who doesn't
No profiled raters yet.
Ask the title
A yes-or-no question, answered from what people wrote here, on TMDB and on Wikipedia. Never made up.
Reviews
No reviews yet.
About the book
- Author
- Neil Postman
- First published
- 1992
- Pages
- 222
- Publisher
- Vintage, Blackstone Audiobooks, Sifriyat poʻalim
- Editions
- 5
- Language
- English, heb
- ISBN
- 9780786106455
Where to read
Libraries first: a card gets you most books for nothing. Each opens that service’s page for this title.
On Open Library, 9 have read it and 35 want to.
<a href=http://en.wikipedia.org/wiki/Neil_Postman>Neil Postman</a> was a popular American humanist who was well known for his comments on the social effects of technology, in particular of television.
Similar in taste
Closest on the same fourteen dimensions, from everything scored on Tastebuds Other media included when they land close.
Filterworld 202480% alikeBoth contemporary, classical in form, spare.
Bullshit Jobs 201879% alikeBoth contemporary, spare, classical in form.
Both contemporary, classical in form, spare.
The Audacity of Hope 200674% alikeBoth contemporary, classical in form, earnest.
Who’s Afraid of Gender? 202473% alikeBoth contemporary, classical in form, spare.
Amusing Ourselves to Death 198573% alikeBoth classical in form, spare, contemporary.
Empireland 202172% alikeBoth classical in form, epic.
Both contemporary, spare, character-led.
Generation Wealth 201875% alikeFilm · Both contemporary, classical in form, spare.
Anthony Bourdain: Parts Unknown 201370% alikeTelevision · Both contemporary, classical in form, spare.