

- Police, Fiction, Wizards, Supernatural
My name is Peter Grant and until January I was just probationary constable in that mighty army for justice known to all right-thinking people as the Metropolitan Police Service (and as the Filth to everybody else). My only concerns in life were how to avoid a transfer to the Case Progression Unit - we do paperwork so real coppers don't have to - and finding a way to climb into the panties of the outrageously perky WPC Leslie May. Then one night, in pursuance of a murder inquiry, I tried to take a witness statement from someone who was dead but disturbingly voluble, and that brought me to the attention of Inspector Nightingale, the last wizard in England. Now I'm a Detective Constable and a trainee wizard, the first apprentice in fifty years, and my world has become somewhat more complicated: nests of vampires in Purley, negotiating a truce between the warring god and goddess of the Thames, and digging up graves in Covent Garden ...and there's something festering at the heart of the city I love, a malicious vengeful spirit that takes ordinary Londoners and twists them into grotesque mannequins to act out its drama of violence and despair. The spirit of riot and rebellion has awakened in the city, and it's falling to me to bring order out of chaos - or die trying.
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Character
Contemporary, classical in form, resolved and plot-driven.
- contemporarynostalgic
- classical in formformally daring
- resolvedopen-ended
- character-ledplot-driven
- unpretentiousprestige
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About the book
- Author
- Ben Aaronovitch
- First published
- 2011
- Pages
- 400
- Publisher
- Gollancz, Orion Publishing Group, Limited
- Editions
- 1
- Language
- English
- ISBN
- 9780575097568
Where to read
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On Open Library, 28 have read it and 26 want to.
Ben Aaronovitch was born in 1964. He had parents, some brothers, some sisters and a dog named after a Russian cosmonaut. He also had the kind of dull childhood that drives a person to drink, radical politics or science fiction. Discovering in his early twenties that he had precisely one talent, he took up screenwriting at which he was an overnight success. He wrote for Doctor Who, Casualty and the world’s cheapest ever SF soap opera Jupiter Moon. He then wrote for Virgin’s New Adventures until they pulped all his books. Then Ben entered a dark time illuminated only by an episode of Dark Knight, a book for Big Finish and the highly acclaimed but not-very-well-paying Blake’s 7 Audio dramas. Tr
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