

- Fiction, coming of age, Brothers and sisters, fiction, London (england), fiction, Fiction, historical
In 1945, just after World War II, fourteen-year-old Nathaniel and his older sister Rachel stay behind in London when their parents move to Singapore, leaving them in the care of a mysterious figure named The Moth. They suspect he might be a criminal, and they grow both more convinced and less concerned as they come to know his eccentric crew of friends: men and women joined by a shared history of unspecified service during the war, all of whom seem, in some way, determined now to protect and educate (in rather unusual ways) Rachel and Nathaniel. But are they really what and who they claim to be? And what does it mean when the siblings' mother returns after months of silence without their father, explaining nothing, excusing nothing? A dozen years later, Nathaniel begins to uncover all that he didn't know and understand in that time, and it is this journey--through facts, recollection, and imagination--that he narrates.
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Character
Grave, contemplative, prestige and open-ended.
- gravecomic
- contemplativerelentless
- unpretentiousprestige
- resolvedopen-ended
- rawmeticulous
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About the book
- Author
- Michael Ondaatje
- First published
- 2018
- Pages
- 304
- Publisher
- Deckle Edge, Nieuw Amsterdam, Knopf
- Editions
- 16
- Language
- English
- ISBN
- 9788420435909
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On Open Library, 9 have read it and 23 want to.
Philip Michael Ondaatje (born 12 September 1943) is a Ceylon-born Canadian poet, fiction writer and essayist. Ondaatje's literary career began with his poetry: in 1967 he published *The Dainty Monsters,* and in 1970 the critically acclaimed *The Collected Works of Billy the Kid.* His novel *The English Patient* (1992), adapted as a film in 1996, received the Booker Prize in 1992. It later won the Golden Man Booker Prize as the best of the first 51 Booker Prize winners. Ondaatje has been "fostering new Canadian writing" with two decades' commitment to Coach House Press (ca. 1970–1990), where he edited, among other authors, Daphne Marrlatt's early poems. His editorial credits include the journ
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