

- Symbolism in architecture, Architecture, Architecture, united states, Architecture--nevada--las vegas
Upon its publication by the MIT Press in 1972, ***Learning from Las Vegas*** was immediately influential and controversial. The authors made an argument that was revolutionary for its time -- that the billboards and casinos of Las Vegas were worthy of architectural attention -- and offered a challenge for contemporary architects obsessed with the heroic and monumental.
Log it
Sign in to log this.
Character
Cool, warm, grave and classical in form.
- cooloverwhelming
- warmbleak
- gravecomic
- classical in formformally daring
- unpretentiousprestige
Who loves it, who doesn't
No profiled raters yet.
Ask the title
A yes-or-no question, answered from what people wrote here, on TMDB and on Wikipedia. Never made up.
Reviews
No reviews yet.
About the book
- First published
- November 1998
- Pages
- 216
- Publisher
- Editorial GG, Editorial Gustavo Gili, S.L., Birkhauser
- Editions
- 12
- Language
- French, English, heb, German
- ISBN
- 9782870090954
Where to read
Libraries first: a card gets you most books for nothing. Each opens that service’s page for this title.
On Open Library, 4 have read it and 91 want to.
American architect
Similar in taste
Closest on the same fourteen dimensions, from everything scored on Tastebuds Other media included when they land close.
Communitas 194780% alikeBoth cool, warm, grave.
Le Monde de Sophie 199574% alikeBoth cool, warm, grave.
The Panda's Thumb 198073% alikeBoth cool, warm, classical in form.
Hamlet on the holodeck 199773% alikeBoth cool, warm, contemplative.
Drawing down the Moon 197971% alikeBoth cool, warm, classical in form.
Both cool, warm, classical in form.
Everything and more 200370% alikeBoth cool, warm, grave.
Hen's teeth and horse's toes 198370% alikeBoth cool, warm, classical in form.
Side by Side 201267% alikeFilm · Both cool, grave, warm.
Film · Both cool, grave, prestige.