

- Fiction, Large type books, History, Juvenile fiction
Relates, from the point of view of his servant Salai, how Leonardo da Vinci came to paint the Mona Lisa.
Log it
Sign in to log this.
Character
Classical in form, earnest, grave and warm.
- classical in formformally daring
- earnestironic
- gravecomic
- warmbleak
- cooloverwhelming
Who loves it, who doesn't
No profiled raters yet.
Ask the title
A yes-or-no question, answered from what people wrote here, on TMDB and on Wikipedia. Never made up.
Reviews
No reviews yet.
About the book
- Author
- E. L. Konigsburg
- First published
- 2006
- Pages
- 138
- Publisher
- Simon & Schuster, Aladdin Paperbacks, Tandem Library
- Editions
- 11
- Language
- English
- ISBN
- 9780786282869
Where to read
Libraries first: a card gets you most books for nothing. Each opens that service’s page for this title.
On Open Library, 6 have read it and 22 want to.
“WHY, PEOPLE ASK, why did Leonardo da Vinci choose to paint the portrait of the second wife of an unimportant Florentine merchant when dukes and duchesses all over Italy and the King of France as well, were all begging for a portrait by his hand?”
Similar in taste
Closest on the same fourteen dimensions, from everything scored on Tastebuds Other media included when they land close.
Creative Selection 201884% alikeBoth classical in form, earnest, grave.
Both earnest, classical in form, grave.
The root cellar 198182% alikeBoth earnest, grave, classical in form.
Beauty 197882% alikeBoth classical in form, earnest, grave.
The Cookcamp 199182% alikeBoth earnest, classical in form, grave.- Brother Dusty-feet 195282% alikeBoth classical in form, earnest, grave.
The Kingdom of Back 201981% alikeBoth classical in form, grave, earnest.
The Railway Children 190081% alikeBoth classical in form, earnest.
180° South 201082% alikeFilm · Both classical in form, earnest, grave.
Film · Both earnest, grave, classical in form.