

- Social aspects of War in art, Photojournalism, Social aspects, Humanistic ethics
Twenty-five years after her classic On Photography, Susan Sontag returns to the subject of visual representations of war and violence in our culture today. How does the spectacle of the sufferings of others (via television or newsprint) affect us? Are viewers inured--or incited--to violence by the depiction of cruelty? In Regarding the Pain of Others, Susan Sontag takes a fresh look at the representation of atrocity--from Goya's The Disasters of War to photographs of the American Civil War, lynchings of blacks in the South, and the Nazi death camps, to contemporary horrific images of Bosnia, Sierra Leone, Rwanda, Israel and Palestine, and New York City on September 11, 2001. In Regarding the Pain of Others Susan Sontag once again changes the way we think about the uses and meanings of images in our world, and offers an important reflection about how war itself is waged (and understood) in our time.
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Character
Grave, contemplative, character-led and classical in form.
- gravecomic
- contemplativerelentless
- character-ledplot-driven
- classical in formformally daring
- earnestironic
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About the book
- Author
- Susan Sontag
- First published
- 2002
- Pages
- 142
- Publisher
- Penguin Random House Grupo Editorial, Farrar, Straus & Giroux, FISCHER Taschenbuch
- Editions
- 27
- Language
- Korean, cat, English, French
- ISBN
- 9780374702458
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Susan Sontag (January 16, 1933 – December 28, 2004) was an American writer, filmmaker, philosopher, teacher, and political activist. She mostly wrote essays, but also published novels; she published her first major work, the essay "Notes on 'Camp'", in 1964. Her best-known works include *On Photography*, *Against Interpretation*, *Styles of Radical Will*, *The Way We Live Now*, *Illness as Metaphor*, *Regarding the Pain of Others*, *The Volcano Lover*, and *In America*. Sontag was active in writing and speaking about, or travelling to, areas of conflict, including during the Vietnam War and the Siege of Sarajevo. She wrote extensively about photography, culture and media, AIDS and illness, h
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