Camera

Miguel Garzón

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Known for

The Holy Mountain
The Holy Mountain
Film · 1973Camera Operator
El Topo
El Topo
Film · 1970Camera Operator
Red Dawn
Red Dawn
Film · 1990Director of Photography
The Place Without Limits
The Place Without Limits
Film · 1978Director of Photography
The Mansion of Madness
The Mansion of Madness
Film · 1973Camera Operator
Highway Patrolman
Highway Patrolman
Film · 1991Director of Photography
Mary, Mary, Bloody Mary
Mary, Mary, Bloody Mary
Film · 1975Director of Photography
The Dried Butterflies
The Dried Butterflies
Film · 1978Director of Photography
Death and the Compass
Death and the Compass
Film · 1992Director of Photography
La vida difícil de una mujer fácil
La vida difícil de una mujer fácil
Film · 1979Cinematography
Living Is What Matters
Living Is What Matters
Film · 1987Cinematography
Call Me Mike
Call Me Mike
Film · 1981Art Direction
Frankenstein's Great Aunt Tillie
Frankenstein's Great Aunt Tillie
Film · 1984Director of Photography
A Rat in the Darkness
A Rat in the Darkness
Film · 1979Director of Photography
The Humiliated
The Humiliated
Film · 1986Director of Photography
Motel
Motel
Film · 1984Director of Photography
Violent Stories
Violent Stories
Film · 1985Director of Photography
Ángela Morante, ¿crimen o suicidio?
Ángela Morante, ¿crimen o suicidio?
Film · 1981Director of Photography
El Quelite
El Quelite
Film · 1970Camera Operator
Occupation of Darkness
Occupation of Darkness
Film · 1981Cinematography
Blood Screams
Blood Screams
Film · 1989Director of Photography
With a Borrowed Body
With a Borrowed Body
Film · 1983Cinematography
Mexicano ¡Tú puedes!
Mexicano ¡Tú puedes!
Film · 1985Cinematography
With Fear in the Veins
With Fear in the Veins
Film · 1990Cinematography