You are cordially invited to the most surprising merger of the year.
After her return from school in Paris, a playboy finally takes notice of his family's chauffeur's daughter Sabrina, who's long had a crush on him, but he questions his more serious brother's motives when he warns against getting involved with her.
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Character
Classical in form, effortless, earnest and resolved.
- classical in formformally daring
- effortlessdemanding
- earnestironic
- resolvedopen-ended
- warmbleak
Who loves it, who doesn't
54 profiled raters. Loved most by The Prestige Hunters; disliked most by The Prestige Hunters.
Where do you stand?
Answer first; then see how everyone, and your circle, split.
“Is Harrison Ford the best thing in Sabrina?”
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“Is Sabrina too gentle for its own good?”
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“Is it funnier than it is smart?”
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A yes-or-no question, answered from what people wrote here, on TMDB and on Wikipedia. Never made up.
Reviews
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Reviews on TMDB
Written by TMDB members; each links to the original. Not part of Tastebuds's numbers.
- Filipe Manuel Netoon TMDB · Mar 20245/10
**A completely dispensable remake, for many of the qualities it may have, and which it does!** Firstly, allow me to say that I am not one of those who think that there can or should be untouchable films, which due to their value or relevance should never be subject to revisits or remakes. “Sabrina”, the original film starring Audrey Hepburn and Humphrey Bogart, is a renowned classic and its place will never be in question. However, after seeing this modern remake, I can't help but feel that it was unnecessary. Despite being a good film, it can't be better than the original, it isn't the slightest bit different, and it wasn't able to update the original story. I really don't know where Sidney Pollack was able to think this was a good idea. The story of this film, as well as a large amount of the dialogue, are copied from the original onto carbon paper, with almost no essential modifications. In fact, the most striking phrases of the dialogues are all there, the situations are the same. Where the film tries to be better is, essentially, in the high production values and the updating of a series of details without great relevance. For example, young Sabrina no longer goes to Paris to
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Cast
- Harrison FordLinus Larrabee
- Julia OrmondSabrina Fairchild
- Greg KinnearDavid Larrabee
- Nancy MarchandMaude Larrabee
- John WoodFairchild
- Richard CrennaPatrick Tyson
- Angie DickinsonIngrid Tyson
- Lauren HollyElizabeth Tyson
- Dana IveyMack
- Miriam ColonRosa
Crew
- Sydney PollackDirector
- Barbara BenedekScreenplay
- David RayfielScreenplay
- Giuseppe RotunnoDirector of Photography
- John WilliamsOriginal Music Composer
- Fredric SteinkampEditor
- Sydney PollackProducer
- Scott RudinProducer
Where to watch
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