
A closer look at the most unlikely auteur
Paul Wendkos was a bit of an auteurist fetish object in the early 1960's, when his career in theatrical features reached its pinnacle. He made his mark with such genre outings as The Burglar (1957) and Face of a Fugitive (1959), as well as with the hit Gidget (1959) and his acclaimed indictment of evangelicalism Angel Baby (1961).
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Nostalgic, cool, prestige and intimate.
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Closest on the same fourteen dimensions, from everything scored on Taste Buds. Other media included when they land close.
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“Is the nostalgia doing the heavy lifting?”
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“Is A Man of Potential: Visions of Paul Wendkos, the Godard of Gidget prestige bait?”
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“Is it style over substance?”
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