The materiality of reversal-film is being portrayed. This analogue technology, with its exposed chemical skeleton is clashing in an anachronistic filmic gag with contemporary digital animation. Colour is not presented as a natural, but a highly constructed medium in the expierence of film. This is a short experimental-essay which is questioning canonized and hegemonic film-rituals used to build and test cinematic-images.
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- Maria Luz Olivares CapelleDirector
- Maria Luz Olivares CapelleWriter
- Maria Luz Olivares CapelleDirector of Photography
- Ralph VoltronDirector of Photography
- Serafin SpitzerDirector of Photography
- Maria Luz Olivares CapelleEditor
- Maria Luz Olivares CapelleProducer
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