

Curmudgeonly author Giles De'Ath, a widower with a marked distaste for modern popular culture, attempts to buy a ticket for a film adaptation of an E.M. Forster novel, but instead finds himself watching a tacky teen sex comedy. Yet when the beautiful Ronnie Bostock appears on the movie screen, Giles finds himself caught in a whirlwind of unanswered questions about both his own sexuality and his place in late 20th-century society.
Log it
Sign in to log this.
Character
Intimate, classical in form, spare and character-led.
- intimateepic
- classical in formformally daring
- sparerichly built
- character-ledplot-driven
- unpretentiousprestige
Who loves it, who doesn't
No profiled raters yet.
Where do you stand?
Answer first; then see how everyone, and your circle, split.
“Does the smallness hold it back?”
Sign in to answer.
Be the first to answer.
“Is John Hurt the best thing in Love and Death on Long Island?”
Sign in to answer.
Be the first to answer.
“Does the ending land?”
Sign in to answer.
Be the first to answer.
Ask the title
A yes-or-no question, answered from what people wrote here, on TMDB and on Wikipedia. Never made up.
Reviews
No reviews yet.
Reviews on TMDB
Written by TMDB members; each links to the original. Not part of Tastebuds's numbers.
- CinemaSerfon TMDB · Sep 20257/10
“Giles De’Ath” (John Hurt) is a rather reclusive writer who has largely shunned publicity until he goes to the cinema and inadvertently finds himself watching a piece of throwaway teen nonsense starring heartthrob “Ronnie” (Jason Priestly). For reasons that he can’t immediately explain this recently widowed gent finds himself enthralled by this young man and has soon bought himself a VCR (without knowing he needed a television too), then signed up at his local Blockbuster to rent just about every bit of pulp this lad has graced. Now entirely entranced, he travels to Long Island, takes a room in a motel and plans to ingratiate himself with his girlfriend “Audrey” (Fiona Loewi). His arrival proves well timed as the young superstar is having some doubts about what to do next. Seeing his chance, “De’Ath” begins to use his Britishness to espouse the virtues of Shakespeare and his abilities to entertain those in the bear pit to convince “Ronnie” that he, too, could become a Thespian. “Ronnie” begins to lap this all up but, gradually, “Audrey” begins to tire of his increasing interloping into their lives and with the author now somewhat besotted, what possible outcome can emerge? Hurt is
Read the whole review on TMDB
Cast
- John HurtGiles De'Ath
- Jason PriestleyRonnie Bostock
- Fiona LoewiAudrey
- Sheila HancockMrs. Barker
- Harvey AtkinLou
- Maury ChaykinIrving Buckmuller
- Gawn GraingerHenry
- Elizabeth QuinnMrs. Reed
- Linda BusbyMrs. Abbott
- Bill LeadbitterEldridge
Crew
- Richard KwietniowskiDirector
- Richard KwietniowskiWriter
- Gilbert AdairNovel
- Oliver CurtisDirector of Photography
- Richard Grassby-LewisOriginal Music Composer
- Bob LockeOriginal Music Composer
- Tim NorfolkOriginal Music Composer
- Susan ShiptonEditor
- Christopher ZimmerProducer
- Steve Clark-HallProducer
Where to watch
Checking availability…
Pairings
Companions we picked from the closest works, and how to take them.
Similar in taste
Closest on the same fourteen dimensions, from everything scored on Tastebuds Other media included when they land close.
Ghost World 200183% alikeBoth intimate, classical in form.
While We're Young 201579% alikeBoth classical in form, intimate.
Barfly 198777% alikeBoth intimate.
Enemies, a Love Story 198977% alikeBoth classical in form.
Crimes of the Heart 198676% alikeBoth classical in form, intimate.
Le Week-End 201376% alikeBoth classical in form, intimate.
Can You Ever Forgive Me? 201876% alikeBoth classical in form, intimate.
Slums of Beverly Hills 199875% alikeBoth classical in form, intimate.
Lodge 49 201867% alikeTelevision · Both classical in form.
Cucumber 201566% alikeTelevision · Close across the board.
Often watched with
Recommendations from TMDB. Opening one adds it to Tastebuds














