

By train, by car, by bus, they came to Hollywood... in search of a dream.
Hollywood, 1930s. Tod Hackett, a young painter who tries to make his way as an art director in the lurid world of film industry, gets infatuated with his neighbor Faye Greener, an aspiring actress who prefers the life that Homer Simpson, a lone accountant, can offer her.
- Bleak ending
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Character
Classical in form, bleak, prestige and grave.
- classical in formformally daring
- warmbleak
- unpretentiousprestige
- gravecomic
- character-ledplot-driven
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“Is the book better?”
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“Is this John Schlesinger's best work?”
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“Does Karen Black steal The Day of the Locust from Donald Sutherland?”
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Cast
- Donald SutherlandHomer Simpson
- Karen BlackFaye Greener
- Burgess MeredithHarry Greener
- William AthertonTod Hackett
- Geraldine PageBig Sister
- Richard DysartClaude Estee
- Bo HopkinsEarle Shoop
- Pepe SernaMiguel
- Lelia GoldoniMary Dove
- Jackie Earle HaleyAdore Loomis
Crew
- John SchlesingerDirector
- Waldo SaltScreenplay
- Nathanael WestNovel
- Conrad HallDirector of Photography
- John BarryOriginal Music Composer
- Jim ClarkEditor
- Jerome HellmanProducer
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Pairings
Companions we picked from the closest works, and how to take them.
Similar in taste
Closest on the same fourteen dimensions, from everything scored on Tastebuds Other media included when they land close.
The Captain 201872% alikeBoth bleak.
Unforgiven 199272% alikeBoth classical in form.
Dangerous Liaisons 198871% alikeBoth classical in form, prestige, bleak.
Ace in the Hole 195170% alikeBoth bleak, classical in form.
Lolita 196267% alikeBoth prestige.
Inside Llewyn Davis 201367% alikeBoth prestige.
Lenny 197466% alikeBoth classical in form; this one is more earnest.
Despair 197866% alikeBoth prestige, bleak.
Mad Men 200770% alikeTelevision · Close across the board.
Savoir-Faire 200268% alikeGame · Both classical in form.
Often watched with
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