

The only thing more dangerous than the front lines was the fight to get there.
A first-time captain leads a convoy of allied ships carrying thousands of soldiers across the treacherous waters of the "Black Pit" to the front lines of WWII. With no air cover protection for 5 days, the captain and his convoy must battle the surrounding enemy Nazi U-boats in order to give the allies a chance to win the war.
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Character
Earnest, grave, resolved and classical in form.
- earnestironic
- gravecomic
- resolvedopen-ended
- classical in formformally daring
- character-ledplot-driven
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Reviews on TMDB
Written by TMDB members; each links to the original. Not part of Curator Co.'s numbers.
- Manuel São Bentoon TMDB · Jul 20205/10
If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com I love war movies, especially when they're able to depict the action in such an immersive way that the viewers really feel like they're there. In my opinion, it's the genre that most requires a technically outstanding production quality. The visual effects need to be absolutely perfect. The cinematography must capture the intensity of the battlefield. The sound design has to be incredibly powerful. Finally, a war film requires the most epic, nail-biting, chill-inducing score so the audience can actually feel the unbelievable atmosphere that this genre usually possesses. Greyhound has one of the greatest actors of all-time as its protagonist, but does it check the points mentioned above? Yes and no. Technically, this movie barely has any issues. The VFX look utterly stunning, no doubt about it. Shelly Jackson, the cinematographer, has one of the most challenging tasks a filmmaker can have: filming in a water environment. He deals with this problem surprisingly well, by allowing the viewers to fully understand everything that's going on for the entire runtime. The score (Blake Neely) is e
Read the whole review on TMDB - MovieGuyson TMDB · Jul 2020
Greyhound is watchable but entirely fanciful. Tom Hanks is a Captain of a destroyer taking on the u-boat menace. He's fearless, god fearing, modest and faces down hordes of u-boats who are out to get him. The enemy goads him, sends u-boats to face off with destroyers in 18th century style exchanges and sails around on the surface following his floatilla, in open defiance. Now for an injection of reality. U-boats did not take on destroyers in surface battles of the kind you see in this film. They did not goad their captains (and records show they took no pleasure in the job they did) nor did they let the destroyer know they were there. This is a fiction and a rather silly one at that. U-boats were not a match for a destroyer, in any sense and made every effort to evade them. The US in the early days of this war, were hopelessly outclassed by u-boat packs. It took considerable time before they started defending merchant shipping. Their admirality mostly declined advice and help from their more experienced, British counterparts. This predictably made the situation a lot worse. Eventually they did catch up but only after suffering massive losses. This film is, in short, a fiction. Its
Read the whole review on TMDB - Louisa Moore - Screen Zealotson TMDB · Aug 20203/10
When you hear the words “a Tom Hanks war movie,” there are certain expectations of quality that flash in your head (with good reason). Perhaps that’s why “Greyhound” feels like such a disappointment. This World War II military action film is one of the most boring war movies I have ever seen. The screenplay, written by Hanks and based on the novel “The Good Shepherd” by C.S. Forester, recounts the fictional story of Captain Krause (Hanks), a veteran Navy officer who is serving as a first-time captain of a U.S. destroyer. Krause is tasked with protecting a convoy of three dozen ships carrying thousands of soldiers and supplies across the Atlantic. Krause and his men must navigate the treacherous waters for five days with no air support, relying only on the aid of two additional escort ships in an area of the ocean dubbed the “Black Pit.” Things get really bad when the fleet is attacked by Nazi U-boats, and a lengthy battle of ships vs. submarines breaks out. The story is inspired by events that took place during the Battle of the Atlantic in the early days of WWII, but it’s not a true story. If that wasn’t enough of a bummer, the film is mediocre all around. From the dreadful origin
Read the whole review on TMDB - Peter McGinnon TMDB · May 2021
Let this review reflects that I really enjoyed this movie. It seems a lot of war movie fans didn’t, so since I only enjoy the occasional war film, perhaps it makes sense I would like Greyhound. It is a surprisingly short movie at just over 90 minutes. Since I am a writer (though not a successful one), I can imagine the scriptwriter (wait, Tom Hanks!?) wanting to compress the action to help give the film a sense of immediacy, a pacing to match the key moments of battle. But who knows, besides Hanks and a few others? Not all war movies need to be of epic proportion; let’s allow some of them to simply tell a compelling story, if only for non war movie fans such as Myself. Most of the acting is restrained, and that makes sense. This was the captain’s first real gig on patrol, so he needed to present a calm, commanding presence no matter how his insides twirled and spun. As for the crew, their lives depended upon staying cool under pressure. I really liked Stephen Graham’s quiet confidence in his crucial role interpreting the sonar. I thought there was enough tension to drive the story forward, especially when you consider that the most tense moments are when you don’t see anything - wh
Read the whole review on TMDB - tmdb28039023on TMDB · Aug 20223/10
I never thought I'd see Tom Hanks starring in a feature film with the same production values as a SyFy Channel original movie, but here is Greyhound – an otherwise tight, lean, and straightforward picture. Director Aaron Schneider and Hanks, who also wrote the script, do a good job developing suspense and urgency; for example the opening sequence wherein the crew of the Fletcher-class destroyer Greyhound patiently stalks and intercepts a German submarine before eventually blowing it up with depth charges, or when, after the hunter becomes the hunted and the American destroyer comes under heavy fire, the captain of the Greywolf – another, much more fearsome, German submarine – radios the Greyhound to taunt the crew with omens of doom; other than this disembodied voice we hear or see no Nazis, and the Greywolf, like Moby Dick, appears only until the very end, all of which adds to the sense of constant, ever-present danger. Greyhound is best when decisions are made and orders are given on the ship’s bridge. Unfortunately the thrill of the hunt loses its impact when we peek outside and see that the Greyhound is surrounded by a completely computer-generated sea – as if it's sailing thro
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Cast
- Tom HanksCommander Krause
- Stephen GrahamCharlie Cole
- Rob MorganCleveland
- Josh WigginsTalker #1
- Tom BrittneyLt. Watson
- Elisabeth ShueEvelyn
- Will PullenTalker #3
- Manuel Garcia-RulfoLopez
- Karl GlusmanEppstein
- Chet HanksBushnell
Crew
- Aaron SchneiderDirector
- Tom HanksScreenplay
- C. S. ForesterNovel
- Shelly JohnsonDirector of Photography
- Blake NeelyOriginal Music Composer
- Sidney WolinskyEditor
- Markus CzyzewskiEditor
- Gary GoetzmanProducer
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Pairings
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Medal of Honor 199982% alikeGame · Both earnest, grave, classical in form.
Often watched with
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