

Is it better to speak or die?
In the summer of 1983, a 17-year-old Elio spends his days in his family's villa in Italy. One day Oliver, a graduate student, arrives to assist Elio's father, a professor of Greco-Roman culture. Soon, Elio and Oliver discover a summer that will alter their lives forever.
Log it
Sign in to log this.
Character
Contemplative, prestige, intimate and character-led.
- contemplativerelentless
- unpretentiousprestige
- intimateepic
- character-ledplot-driven
- gravecomic
Who loves it, who doesn't
No profiled raters yet.
Where do you stand?
Answer first; then see how everyone, and your circle, split.
“Is the book better?”
Sign in to answer.
Be the first to answer.
“Is this Luca Guadagnino's best work?”
Sign in to answer.
Be the first to answer.
“Is Call Me by Your Name prestige bait?”
Sign in to answer.
Be the first to answer.
Ask the title
A yes-or-no question, answered from what people wrote here, on TMDB and on Wikipedia. Never made up.
Reviews
No reviews yet.
Reviews on TMDB
Written by TMDB members; each links to the original. Not part of Tastebuds's numbers.
- CinemaSerfon TMDB · Aug 20247/10
Amidst some beautiful Italian rusticity, we are introdcued to the "Perlman" family. It's the father (Michael Stuhlbarg) who has employed American "Oliver" (Armie Hammer) to help out with some research, and that involves living-in with his family of wife "Annella" (Amira Casar) and teenage son "Elio" (Timothée Chalamet) at their villa. Initially, they just call him "later" as that's his most often used expression as he takes his leave, but gradually they take to this man who appears to have depths that bely his slightly friendly but diffident attitude. It's the young "Elio" who seems most smitten. He's only seventeen but has a maturity that seems beyond his years as he uses his own substantial polyglot intellect to engage with their visitor. Though he's flirting like mad with his childhood friend "Marzia" (Esther Garrel) it's quite clear that his relationship with "Oliver" is passing the infatuation stage and heading into uncharted territory for both men - and the onlooking parents. With the sun shining, the wine flowing and the swimming tempting, Luca Guadagnino now takes us on a beautifully crafted story that is more than a rite of passage, or a typical "coming of age" drama - it'
Read the whole review on TMDB - jessetayloron TMDB · Sep 20179/10
Alongside _Weekend_ and _Moonlight_, _Call Me By Your Name_ is the greatest queer film I have seen in the past ten years. It's a gorgeous, quiet masterwork - Luca Guadagnino has given us something truly special here. I'll cherish this one for a long, long time as it's extremely human and very personal. The fact that the legendary James Ivory wrote the screenplay for this shoots this over the top and slam dunks it into the cinematic stratosphere. Truly stunning work that deserves to be remembered, preserved, and celebrated for decades to come. The performances in this are so mesmerizing. I've never liked Armie Hammer as much as I like him in this. He really embodies his character and it's a lived in, fully realized performance. Timothée Chalamet - who has a great year ahead of him with other big projects - is absolutely captivating as the young lead in this coming-of-age tale. I've seen many a coming-of-age film, but this one is one of the truest portrayals of a gay youth coming to terms with his sexuality, emotions, and his own body. There are so many phenomenal scenes, but the one that stands out above the rest - and the one that made me cry in a theatre full of festivalgoers - is
Read the whole review on TMDB - tmdb15214618on TMDB · Jan 20188/10
A near-perfect, timeless movie which will be responsible for many tears and yeast infections. Languid small-town living is captured perfectly, as is the tentative romance between the leads. I can't think of any substantive criticism until the last 25 minutes, when the movie becomes sloppy, less of a climax than a dissipation. (And personally, I'd have liked to see a sliver more of sexuality, which is oddly lacking.) Still, it's good. Watch it.
Read the whole review on TMDB
Cast
- Timothée ChalametElio
- Armie HammerOliver
- Michael StuhlbargMr. Perlman
- Amira CasarAnnella
- Esther GarrelMarzia
- Victoire du BoisChiara
- Vanda CaprioloMafalda
- Antonio RimoldiAnchise
- Elena BucciBambi
- Marco SgrossoNico
Crew
- Luca GuadagninoDirector
- James IvoryScreenplay
- André AcimanNovel
- Sayombhu MukdeepromDirector of Photography
- Sufjan StevensOriginal Music Composer
- Walter FasanoEditor
- Rodrigo TeixeiraProducer
- Peter SpearsProducer
- Luca GuadagninoProducer
Where to watch
Checking availability…
Pairings
Companions we picked from the closest works, and how to take them.
Similar in taste
Closest on the same fourteen dimensions, from everything scored on Tastebuds Other media included when they land close.
Portrait of a Lady on Fire 201978% alikeBoth prestige, contemplative, intimate.
Past Lives 202378% alikeBoth contemplative, prestige, grave.
The Go-Between 197177% alikeBoth contemplative, prestige, grave.
Ammonite 202077% alikeBoth contemplative, prestige, intimate.
Jimmy P. 201376% alikeBoth contemplative, prestige, intimate.
Don't Come Knocking 200575% alikeBoth contemplative, prestige, grave.
The Remains of the Day 199375% alikeBoth contemplative, prestige, grave.
All Is True 201875% alikeBoth contemplative, prestige, intimate.
The Remains of the Day 198976% alikeBook · Both contemplative, prestige, intimate.
Firewatch 201668% alikeGame · Both contemplative, intimate, grave.
Often watched with
Recommendations from TMDB. Opening one adds it to Tastebuds













