

A world with its own rules, history, and weather. They read the appendix. They want to know what is over the next hill.
Where it goes wrong: Lore is not story. You can spend a hundred hours somewhere and not notice nothing happened.
More about the Cartographer
- Avoids
- Thin settings and stories that could happen anywhere. If the place is a backdrop, you drift.
- How they rate
- You reward density and scale. A middling story in a rich world gets a pass; a sharp story in a cardboard one does not.
- Good company
- Genre Devotees and Thrill Chasers share your appetite for the big; Formalists share your patience for detail.
- Against the crowd
- You are generous with sprawling, uneven epics the crowd found long, and impatient with tidy chamber pieces the crowd loved.
- More dense world than almost every curator. world-buildingsparerichly built 67%
- More epic than almost every curator. scaleintimateepic 68%
- More event-driven than almost every curator. character vs. plotcharacter-ledplot-driven 62%
The charts and numbers behind this are under Taste.
Badges
All 25- Omnivore · GoldMaxed
- Shelved · Silver23 of 25
- Time traveler · Silver9 of 10
- On a streak · Silver41 of 100
- First entry · BronzeMaxed
- Opinionated · Bronze44 of 50
- Serialist9 of 10
- Reader8 of 10
Favorites
The five this curator would hand you first, in no particular order.
Fourteen dimensions, against everyone
Further out is a stronger lean than other curators.
Read this chart
Each spoke is one dimension; further out means a stronger lean that way than other curators. A big shape is a strong, unusual taste; a small one is close to the middle of everyone.
How Cy rates each kind of thing
One row a medium; the dashed line is the mean. Kinder to books than films? It shows here.
Read this chart
One bar per star rating, one row per medium. Where the bars pile up is your habit; the dashed line is your average for that medium.
Every curator, placed by taste
The two directions taste varies most along. Archetypes cluster; Cy is ringed, and people they follow are outlined.
Read this chart
Every curator, placed so that people with similar leans sit near each other. The two axes are the directions taste varies most along, found from all profiles. Neighbors are worth a look.
Where Cy parts ways with the audience
Above the line, kinder than the crowd; below it, harsher.
Read this chart
Each dot is a title: your stars up, the audience's average across. Dots above the line are where you were kinder than the crowd, below it harsher. A wide spread means you do not follow consensus.
How what Cy loved has moved
Needs ratings across at least two years, with three or more in each.
Year by year, on the four strongest dimensions.
Read this chart
One line per dimension, one point per year: the average character of what you loved that year. A line that climbs means your favorites moved toward that pole.
The numbers
What the sentences on the overview are made of.
- The Cartographer100%
- Kinder than 62% of curators
- Has rated more than 46% of curators
- More dense world than 99% of curators
- 6% of curators are Cartographers
Among 634 curators with a profile.
- sparerichly built
- intimateepic
- character-ledplot-driven
Solid mark is what they love; hollow is what they avoid. Prestige vs. pulp barely moves their ratings.
- Open world4.5★ · 3
- Mystery4.5★ · 5
- Fantasy4.4★ · 11
- Role-playing (RPG)4.4★ · 8
- Comedy3.1★ · 9
- Thriller3.6★ · 5
How far this curator leans on each dimension compared with everyone else. Strongest eight; the rest below.
All fourteen dimensions
Profile built from 53 rated titles.
This month they were settling in for long things. From 8 logs in the last thirty days.
Year in review:2026
Logs
The only adaptation that understands the book is about walking. Every landscape is a character. Moria alone is more world than most trilogies manage.
Mostly about the craft, the story.
The film's Arrakis is the first one that felt like a planet and not a set. Villeneuve shoots scale the way Herbert wrote it: slowly, and then all at once.
Mostly about the craft.
The Bloody Baron questline is better written than most films. The world has a weather, a politics, and a sense of humour. Gwent is a crime.
Mostly about the craft, the story, comfort.
Very funny and I admire it, but there is no world here, only a person. I want the person to have somewhere to stand.
A town, not a plot. Lynch built a place you can smell and then let the mystery rot in it. The Return is the bravest thing ever put on television.
Mostly about the craft.
A world that does not care whether you understand it, which is the highest form of respect. I read the item descriptions like scripture. Caelid is the best bad place in games.
Mostly about the craft.
A children's book with a map at the front, which is all a children's book needs. Read it aloud.
Rating key: ★★★★★ loved, ★★½ mixed.
watchlist
Empty. Add things from their pages.





















































